Lee Brice’s new single ‘I Don’t Dance’ feels like a natural progression of this singer-songwriter’s career. It’s personal, like almost every song on the ‘Hard 2 Love’ album, but also powerful and experimental like Brice's early recordings. The power is provided in production, however -- a key difference between this ballad and others that relied solely on his vocal abilities.
Gloriana do young love very well. On their new single ‘Best Night Ever,’ the trio sticks to a theme they’ve leaned upon for every single to date, yet they somehow, avoid the “same story, different bar” syndrome.
Why isn't a country superstar performing during halftime of the Super Bowl? It's a fair question, and one country fans have asked every year since Shania Twain took the stage in 2003. Surely there are stars big enough to draw the nation's interest, right? Taste of Country writer Billy Dukes argues that fans of Nashville's biggest names should actually be grateful for this missed opportunity.
Florida Georgia Line stick to familiar themes, but deliver their most original lyric yet on ‘This Is How We Roll,’ a collaboration with Luke Bryan. The rhymes that flow from Tyler Hubbard and Brian Kelley’s lips are like sugar from a shaker. An especially clever second verse will be what everyone is talking about.
Jennifer Nettles delivers her purest vocal spotlight since ‘Stay’ on her new single ‘Me Without You.’ A few instruments loiter in the background, but for the most part, the ballad is just her over an acoustic guitar. Fans of her duo’s biggest hit will appreciate this performance.
Country music shined at the 2014 Grammys, with nine of Nashville's top singers taking the stage to sing and play guitar. Collaborations and solo performances from artists like Keith Urban, Blake Shelton and Hunter Hayes were among the night's best, but what was the best moment?
Like loose change when you’re desperate for money for a pack of cigarettes, the Wild Feathers are a pleasant surprise found between the folds of the country and rock genres. Their new song ‘Got It Wrong’ is dirtier than music produced by the slick Nashville machine, but still familiar for those looking for just a little respite from the same old, same old.
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